Tuesday, 26 May 2009
Stripping
I am having to force some downtime down my neck at the moment.
I should be collating a bunch of songs for a bonus cd to be sold with the album when bought directly through my label, and i could do that easily from Warpsichord offcuts, but nothing is ever EVER good enough so i'm busy reproducing things, re singing re writing.
Its excellent to visit some things i hadn't heard in a while and it gives me little thrills to hear things i did that i had forgotten, but here's where the problem is. THERE'S TOO BLOODY MUCH OF IT. My hard drive is clogged with nearly 60GB of recorded bits and bobs, which would be amazing if they were all tremendously well executed pieces of musical literature. But a lot of it is recordings of "the time my voice cracked at the top note and i laughed and it sounded cool so i kept it to use later" and the like. I'm gonna have to pack some of it away before i can do new things. Onto a harddrive. Or two.
To be honest its been a long time coming. I have gradually become so freakishly patient that if a pitch bend takes five minutes to load i shall wait. But thats not really good enough. I don't have a great short term memory and things fall out of my head almost instantaneously so i have to be able to work quickly.
I wonder if my short term memory is actually an inability to pay attention. Some sort of attention defecit. I once told someone i had Attention Defecit Disorder, and then completely forgot to tell them it was a joke. But they were convinced for a few years that this was indeed true.
Its not that i can't pay attention really, but just that i try to pay attention to lots of things at once. I have the TV on when i read. I listen to music while i watch a movie. I draw while i make music. and i beatbox when trying to sleep.
Thats the worst one really the drumming at sleepytime. I'm terrible for drumming my fingers and hands. I walk in drum rhythms and have to keep them constant. I can't keep my fingers still and this all comes most violently at bedtime. I suddenly realise i have an amazing beat clattering around my head and i tap it out on my head/on the bed head. And its not just any old beat, but TRULY THE MOST INCREDIBLE FUSION OF DISRYHTMIA EVER BEFORE WITNESSED. This can keep me up for a long time. I'm kind of used to it, so i can still drift close to the edge of slumber paddle in the wake even and keep doing my beats without much hassle. But then a kind of anxiety starts to form and i wish i had a dictaphone to transcribe this magical clunking. But NO! Not a dictaphone. That, by morning would sound like a spittled fart from my tired lips pressed rudely into an insufficient mic or a mindless contextless clatter of nonsense beat on a dirty bed.
I need you to be able to hear all the villagers pounding these beats on the floors of my medicine mans hut, to hear the subtle cracklings of electricity flying between the poles of my fingers. And whats this?! over these thumps and splutters comes a growing sine wave. louder and louder, changing key fighting against a angry flute! staccato notes spiralling against the steady advance of the synthline! A harpsichord is sexually plucked with soiled plectrums making a tinny sharp oscillating etch against the lush and airy flutes.
And i can see the notes I'm going to sing, the voice I'm going to use, the look on my face as i spit the words. I can hear the colours flying around me at night. If i could see my own head at that point i bet there would be little glimmers floating around it.
But by morning its gone. I'll remember a word or a note, but mostly, my great concerto, my tribal aria is gone. No room in my head to keep it all in.
So i wonder if anyone can lend me a hard drive for my computer and one for my brain?
Sunday, 10 May 2009
Band Practice featuring the X-Men
I'm watching the X-Men Animated Series today. I've had two glasses of red wine today and read four books this week, which is something of a record for me.
Band practices are going really well. What's really cool about it is remaking songs from scratch, some you wouldn't recognize from the album versions. Me and Matt were talking about it last night on the way to see Wolverine, how cool it is that the versions of the tracks that appear on Warpsichord are by no means the definitive versions. The bare bones of the tracks remain the same, but everything else can change and should change. I like the idea that this release will mark a point in history of these songs and this idea. Like a single frame in a roll of film.
When I was finishing off the production of this album I really liked the idea of releasing it as a double sided disc, one side containing the main mixes and the other side the tracks completely reimagined or remixed. The idea being that you wouldn't necessarily know which was which, it would be down to the listener to decide which version was the definitive one for them.
I shied away from this idea eventually, partially because of the difficulties that would arise for a DJ from a double sided disc, but also because I want this album to be as accessible as possible from the jump. No gimmicks if possible. But there is no reason not to investigate things in a live setting. Its also going to be really beneficial for the other musicians playing with me to be able to improvise themselves, and that without the rigidity of a backing track i can begin to experiment vocally.
I can't wait to get going with this now. I think Ireland will be first.
I've been thinking a lot about my next project recently. I think its going to be pretty fun to work on. I'd like to bring in other musicians for this one i think. I'm so used to working alone, but have found these past few weeks enlightening.
I wonder if i might have a little sleep now. That episode of X-Men where the Morlocks first appear is on and its one of my favourites.
Would anyone be interested in reading a blog which is less about music and more about my favourite X-Men?
Well you might get one anyway
love love love love love
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